When you can’t walk away

“‘for me there was something deeply human in it. For all the things we create for ourselves, the homes we build, the lives, sometimes you just have to walk away.’

Walking is both our first step and last resort when fleeing war or persecution. A refugee doesn’t have the luxury of restraining his step with respect to political margins.”

Journalist Kathleen McLaughlin wrote recently about the line a lot of us living in . . . let’s say “politically challenging” places hear on a regular basis: why don’t you just leave? Which not only, as she points out, ignores financial and other constraints, but also, as she also points out, ignores the reality that harmful or violent politics don’t stop at borders. 

The spectrum of who flees, who’s forced out, who’s being put at grave risk by staying, and who stays to fight no matter what the cost, is vast. It’s determined by factors that accumulate and pull on one another and is, in the end, beyond anyone else’s individual judgment. Not everyone can leave. Not everyone is allowed to stay. 

All I can personally say is that the story of whether or not one leaves a home, and how, and what level of choice is or is not involved, is the story of humanity. It is in this particular story that my writing about walking and my interest in private property intersect most profoundly, and in ways that often surprise me. 


A couple of weeks ago I came across an article some of you might have seen, about a database compiled by The Atlantic of the books used to train generative-AI systems. I figured my book had to have been used, along with the 20 years’ or so worth of writing I have online, since last winter my spouse put my name into ChatGPT and said, “Look! It can write an essay in your style!” (This conversation did not go well, though I think we eventually got to the point of me being able to explain why the last thing in the world I want is a machine to do my writing for me, especially one that’s stolen my work to do so.)

Sure enough, A Walking Life is in the database. It winded me a bit to see it verified. 

To be clear, the copyright issue is the least of my concerns. If you want to go to a local library and photocopy every page of A Walking Life and pass it around to people who want to read it, I’d actually be thrilled. That is, after all, how my father and his family read Solzhenitsyn in the Soviet Union, though photocopiers were highly controlled and only in government offices and a bureaucrat risked his life to get those stories out into regular people’s hands. The more copies of my book are purchased, in whatever form, the happier (theoretically) my publisher is and the better chance I have of selling them or someone else on another one, but it’s far more important to me that people read it than that those reads show up in the graph provided for me in my publisher’s author portal.

It’s a completely different thing to have a multi-billion or -jillion or whatever-dollar company steal my work and then use it to both make more profit for itself, and to put other writers and artists out of work.

It’s also impossible to disentangle complaints about AI and other digital tech from the long history of technology being used to deliver more profits to a few, steal masses of people’s labor, and provide lower-quality services and products to people paying for them, along with building unjust and destructive structures that humanity and the rest of life simply have to live with going forward as best we can. Roads, highways, and automobiles are the examples I usually bring up but there are plenty of others. In A Walking Life I wrote about the Luddites, who are usually characterized as anti-technology but weren’t that at all. What they objected to was being forced out of their jobs—with no compensation or safety net—by machine adoption that made more money for the factory owner while also producing shoddier products.

Luddite poster art from Justseeds.org, spotted in a Butte, Montana, art gallery last summer.

It’s not about whether technology exists or not. It’s about how it’s used, its effects on people and ecosystems—the energy and water consumption of AI and data centers is absolutely staggering—and whether its role in the world is to contribute to life’s well-being or make it worse. 

“The planning structure always fits well into the needs of the powerful,” said physicist and technology philosopher Ursula Franklin in a series of 80s-era lectures (undying gratitude to Jake for sending them to me; they’re amazing). “It rarely fits well into the needs of the powerless, and that is where the struggle sits.” 

She gave that lecture long before talks of artificial intelligence became rampant, but whether we’re talking about AI, highway systems, railways, or the mills and machines that powered the Industrial Revolution, her questions hit home:

“Do people matter, or are people in the way? The technology will come once we make the decision whether indeed people matter or whether they are just in the way, and you design more and more stuff to make more and more people unnecessary, unneeded, and redundant. Don’t ask what benefits. Ask whose benefits, whose costs.”

The theft of my book, which took years of research and writing to produce, hasn’t done anything to improve my life, and I doubt it has anyone else’s, but it’s certainly contributed to someone acquiring just that bit more wealth, which can then be used, as wealth always has been, to tip the scales of injustice a little bit more in their favor. My cost, their benefit. That is what enclosure is, both historically and currently: taking that which was in use by all or already belonging to someone in one form or another, and making it your own for the purposes of private profit. 

Neither I nor any other writer or artist has been given a choice in the matter, nor can we disentangle ourselves from the systems we’re being frog-marched into, not unless we give up creating entirely. And I can’t think of a single writer I know who would even consider that. We create because we can’t help it, because it brings us joy, because to not do so would be to flee one of the things that makes us feel most alive.


“There is no reason,” I wrote in A Walking Life,

“why our online lives can’t be used as a tool to enrich our restored communities, no reason why we can’t recover from the flu with some good friends bringing us soup and others bolstering our spirits through Instagram.”

Which, in my feverish and brain-fogged state when I came down with Covid last week—a week after getting a third booster shot!—I was delighted to notice was exactly what happened: A friend came by and left a jar of soup and some leftover huckleberry galette by my door. My brother-in-law offered to drop off more turkey broth. Another friend brought me groceries on her way home from work at the rail yard and included a bar of nice chocolate she knows I like. 

And then a friend online, whose newsletter Berkana is one of the most beautiful and thoughtful on Substack, sent me a short video of someone making turmeric chai that was so soothing to listen to and watch I let it loop several times before realizing it was something I could actually do (the brain fog of this virus is very, very real for me). So I made some and drank it and did so again in the middle of the night when I couldn’t sleep, and you know what? I felt better the next day!

A Walking Life is about a lot of things, but at its core it’s about being fully alive beings on a fully alive planet. Walking leads us into every one of these subjects because walking is how we evolved. From the perspective of evolutionary biology, it’s what makes us human. And it’s what can shine a light most clearly on the barriers that have been placed to prevent our full exploration of that humanity.

Which honestly made me laugh. I appreciate the thought but have better things to do with my day than beg any one of these enormously wealthy and powerful people to please not steal my work to make themselves richer. I can spend that time making more turmeric chai, for example. Or sewing up the hole in my kid’s blanket. Or writing a letter to my county commissioners about their gutting of the county library system, which I doubt they’ll care about but at least they’ll read (maybe). Or I could go for a walk.

These huge, systemic problems can’t be solved by piecemeal approaches, and in any case my focus is on the deeper structures that make the harms possible. Technology has been used both to improve human and non-human life for millennia, and it has been used to control and destroy it far more often. It depends on who benefits, who pays the costs, and who decides.

Perhaps most damaging of all, it’s been used to determine what we think we can imagine: a way of being in the world and living together that’s not determined by the control, power, and ownership of a very few. A world where food, shelter, health, soul-fulfillment, relationships, and even the joyful gifts of creativity are not dependent on tricking us into thinking we can only succeed in competition with one another. 

I want us to unburden ourselves at the very least of restrictions around what we conceive as possible, and to contemplate a world where leaving means to wander freely, rather than being forced to flee—whether on foot or in the worlds of our own imaginations.

Someone’s been updating the No Trespassing signs on the fencing around the rail yard in town.

When Writing Left Me

When Writing Left Me

For several years, before and for a while after I had kids, I worked on a mystery novel set in eastern Montana. I wrote sketches and backgrounds for the major and minor characters; mapped out plot points, detailed motivations, and background for the murderer (he was a paleontologist selling fossils on the black market to pay for his mother’s cancer treatments), rewrote the entire thing start to finish at least eight times, went to a couple of encouraging mystery writers conferences, and generally had a fun time pitting my two main characters—half-sisters full of mutual resentment—against each other.

One day, sitting in a small, dusty library in an old building in upstate New York and struggling with another revision of said novel, I realized that I’d been forcing the writing for at least a couple of weeks. I dreaded sitting down to any of my works-in-progress, and actually started sneezing whenever I picked up the mystery novel, as if I were allergic to it. But I wasn’t allergic (maybe that was the library); the desire to write had left me.

I don’t mean I was blocked—“writer’s block” is very often just fear—or that I was stuck. This was something new. The desire to craft narrative, to feel the glide of a pen across a notebook or a printout of a manuscript, was just gone.

It was the oddest feeling. The urge to write had been with me almost as long as I could remember. I wrote my first stories at an age so young I barely remember them, though I still have the first “book” I wrote when I was maybe seven or eight years old.

Cover of a "book" bound together with white yarn: a cardboard cover with "Four Georgie Stories" written on a marker drawing of a cloud above several butterflies and two ghosts with the names Georgie and Georgina written on them, some kind of red flowers below

Four Georgie Stories, featuring the adventures of a ghost named Georgie and his friend Georgina

Losing writing showed me how much it’s part of whatever “me” is. I imagine visual artists and musicians and dancers and in fact creators of any kind feel the same. Before writing left, I would have been hard-pressed to explain its neverending urgency to someone who didn’t already know what I was talking about. Like most writers, I received piles of rejections before my essays began finding an audience. Anyone who’s been bitten by a creative bug knows what I mean when I say rejection won’t stop you: It’s not an expression of ambition or some vision of success that keeps you going; it’s the writing itself. I could never have published anything in my entire life and that would have made me sad but it wouldn’t have stopped the writing. “Being a writer” is a full-on embodied thing that exists no matter what kind of feedback or public notice you do or do not get.

Which is, really, strange. I didn’t know how strange until it wasn’t part of my daily existence. I woke up and didn’t feel a need to write. I had a kid-free hour or two and didn’t bring out an essay to revise. I opened my copy editing work for the day and never turned off my work timer to dive into an idea that had just come. I read books for pleasure and never felt a twinge of envy or wonder “How did they do that?” It was probably the most free I’ve ever felt because I realized I could do other things with my life. I could become a firefighter, or apply to do a graduate degree in mathematics, or get a job at one of the local farms.

It was only when it wasn’t there that I realized how much space writing took in every moment of every day, every breath, every thought.

A box filled with what looks like old textbooks, mostly mathematics textbooks, spiral-bound. They are actually repurposed books filled with blank pages to write on.

An accumulation of finished private journals (care of Ex Libris Anonymous, where I buy these in bulk), which I burn . . .
A pile of used notebooks, mostly Mead composition books

And the same of notebooks filled with first drafts, which I keep.

The absence only lasted about three months. I don’t know what writing was off doing during that time—maybe it was sick of reading that mystery novel for the fiftieth go-round. But when it came back, it saturated everything all over again; I could still go pursue firefighting or mathematics or picking overpriced organic tomatoes for weekenders from New York City—I could cook a stew or try to grow cucumbers and kill thistles and not be drawn to turn each of those acts into metaphor for human existence!—but wanting to write about that life was going to ride along no matter what I tried go after.

I’ve only talked to one other writer-friend who’s experienced this absence. She told me she thinks of her writer self as a middle-aged white guy who sits at a battered desk in a dirty office scribbling stuff out and throwing it to his assistant out front to type. And sometimes the writer dude disappears for no reason and the assistant bides their time playing Minesweeper (this conversation was before games other than Minesweeper and solitaire were widely available).

It was an interesting lesson to go through. I’m not sure any of us understand what writing is—what creativity is, for that matter; Arthur Koestler wrote a whole book about it (The Act of Creation, with lingering themes in The Ghost in the Machine) and didn’t really come to persuasive conclusions—much less why some are driven to do it no matter what the circumstances. As my father is fond of reminding me, Dostoevsky wrote in a freezing shack with his family all around, in exile in Siberia, which is partly why I’m not picky about the mechanics or location of the writing I do. I’ve written in coffee shops and libraries, at home with babies climbing on me and on campings trips in the early morning with frozen fingers.

A desk with papers and highlighters, index cards, and books, in front of a window looking out toward the Canadian Rockies

My office during a 2016 writing residency in Banff, where I always long to get back to; I don’t need a special writing space, but it is incredibly luxurious and productive to have one

When my last book proposal was rejected, I thought a lot about the time that writing went on vacation. It wasn’t that I was going to write the book no matter what; it was knowing that I could ask my writer self if this was still an idea worth pursuing and could trust the answer (yes). I’m a slow learner—and a slow writer—but I’ve heard enough internal “meh’s” to know when something isn’t going to let go.

I’m always curious about people’s relationship with writing and art. With creativity. There’s a tremendous amount of conflation between writing itself and “getting published,” especially getting a book published. I’m always intrigued when people say they hope to “become a writer”—I remember saying things like that, only realizing later that it was just something I was, not something I could choose to become. Does every one of us have to untangle those two things for ourselves, come to terms with the writer who’s going to be a driving, urgent force in our lives no matter what “success” or recognition we do or do not achieve?

Many of my favorite Russian writers and poets existed in frankly horrific circumstances. Exiled, jailed, living in extreme poverty, loss of children, loss of freedom, loss of country and home. They didn’t write because they hoped for a steady stream of book contracts and speaking engagements for the rest of their lives; they wrote, often at risk of government rebuke, censorship, or worse, because they could not help themselves. This has been true of artists all over the world, and over millennia. The best writers I know right now are writing because the stories want to be told, need to be told, and through them.

It’s not ambition that keeps people going; it’s more like an internal insistence. Not being able to help oneself. It’s why days or weeks without writing time leave me incredibly cranky and difficult to live with. It’s why I’m at this moment sitting at an ironing board set up under the stairs and behind the water heater (it’s the only place I have a chance of not being interrupted for a while, with the added bonus of making me feel more Russian than I actually am by being cold and uncomfortable and smelling strongly of pickles because we have a bucket of them fermenting in the same tiny space).

Photo of an ironing board covered with books, notebooks, and a small blue metal bird, with a red wooden chair pulled up to the ironing board.

The glamorous office of someone who can’t help writing

When that last book proposal was rejected and I thought about the time years ago when writing left, I couldn’t help remembering how much easier life was, how many more possiblities there were for how to spend my time. It hasn’t left in over a decade, but its absence is still visceral. It taught me a straightforward lesson: writing has nothing to do with either form or success—it’s either there or it’s not. A book is one form, as is a magazine byline, as is a blog, as is a speech, as is a letter to an old friend; and that all the book contracts in the world, either behind you or ahead of you, mean nothing when you’re exploring that next idea, seeing if it holds firm, asking it what it wants to be.

What matters in the end is your commitment to the story itself. Like any relationship, where you go together will be unexpected. It will have its griefs as well as its joys and there is always the potential of heartbreaking loss. Success and accolades are never guaranteed, and even when they come, they don’t change what writing—what stories—need from you. The writing might abandon you for a time, but what the story needs to know is that you will never leave it.

Photo of two walls of a room and a desk in front; the walls have index cards pinned all over them (one wall is fabric and the other has a bulletin board), and the desk is covered in tidy stacks of papers

Working on A Walking Life at the Banff Centre for Arts & Creativity shortly after signing my book contract—the kind of treatment and space book projects probably deserve (yes, book, I’m working on it; we’re working with a little less wall space here under the stairs)

Abundance, or what it means to be free

Walking composition

Good news! I’ve finally finished the first messy, painful 10,000-word draft of the first full chapter of No Trespassing, on land ownership. After several attempts to structure it around the ranch in eastern Montana where my mother grew up, I came at it from a different direction—starting with a paper I’ve been wanting to share with you all for over a year studying intergenerational economic mobility in Florence, Italy, from 1427 to 2011.

Now begins the messy, painful process of overhauls, edits, and revisions. This isn’t an easy process for me. I have a particular kind of work ethic—a quintessential Taurus personality if you prefer that framing. I like deadlines and assignments and really prefer working with an editor who can both collaborate and push back. Doing this book project without one feels like walking on thin air a lot of the time. Or onto the narrow bridge over the abyss out of Khazad-dûm. I don’t like heights. Or having flaming Balrogs in hot pursuit.

But whether on my own or under contract, a book is always a sustained slog with moments of piercing joy. Thank you all for continuing to walk this path with me. It’s you who ensure those moments of joy come more often, and find their way into this space.

5% of last quarter’s On the Commons revenue was given to the People’s Food Sovereignty Program. This quarter’s 5% will be given to Messengers for Health.

Audio version. Apologies for my voice being a little shaky. I was so cold!

When I was fifteen, I had my first major experience of culture shock. My family had just left the Soviet Union, where we’d been living in Moscow for several months. We exited the country as we’d arrived, by train and nerve-wracking encounters with Soviet customs and border patrol. There is a woman somewhere on this planet who lives in my memory standing forever at the door to the train car, weeping as she watched the customs officers carry away the violin she’d been playing.

Back in Helsinki, Finland, outside of the Iron Curtain, I had a minor meltdown brought on by the ice water and cloth napkins in a restaurant. To this day I can feel the strangeness of it, leaving a country where sometimes there were sausages in the supermarket and mostly there weren’t, and my younger sister and I quickly learned to find the growing line whenever we smelled bread; to one where ice water and cloth napkins, much less restaurants people ate in and customs officers who didn’t confiscate everything of value, were considered normal.

The real culture shock came a few days later. My younger sister and I were sent to stay with our oldest sister, who was at college, while our parents moved our life back to Montana. One day we two younger ones went for a walk to a grocery store and found ourselves wandering around the aisles confused and weirded out, unsure how to think about all that food we were looking at, all that choice.

When I was thinking about writing this, my mind kept trying to insert the word “abundance” in that line rather than “choice.” There’s so much! Look at all those cereal boxes! All those varieties of sliced meats! All that bread and you don’t even have to stand in line for it!

During the time we lived in the Soviet Union, my sister and I didn’t go to school. We had Russian lessons most mornings for two or three hours, and then wandered the city on our own. We often ended up outside a metro station, where people sold trinkets or Bazooka gum from small tables, and babushkas sold roasted syemechki, sunflower seeds, wrapped in newspaper cones, and there was a marozhonoye stand that sold soft, almost tasteless ice cream in soft, almost tasteless cones. When I had some kopeks in my pocket, I’d buy sunflower seeds, or fresh bread if we happened to come across a sidewalk kiosk that was selling some. There wasn’t much else to spend money on.

It was surreal to walk the aisles of an American grocery store again and see the stocked shelves. I was too young to understand that experience fully, or to understand that choice has little relationship to abundance, especially if the choice is a mirage created by advertising, packaging, and small tweaks in sugar and salt content. All I could say was that something felt wrong. All that choice, and yet all I saw was emptiness.


Hunting season is almost wrapping up here for me. I haven’t been out that much and haven’t yet brought anything home, but no matter what my hunting seasons look like, they always make me think a lot about abundance.

Last week I was out in a new-to-me spot that a friend introduced me to. I didn’t see a single deer except for a buck we passed on the drive in, which I waffled too long on stopping for until he ran off, but I got to spend a couple of hours watching a flock of chickadees being busy and at least another hour watching a tree’s respiration mist off of its trunk into shafts of sunlight, which I’ve never really observed before. Like some kind of avant-garde film except it’s life, not a movie, right there in front of you: a tree, breathing.

Like the woods around here often are, it was utterly silent. Soaking into that lack of noise is indescribable. To sit by a big boulder surrounded by tiny spikes of juniper moss, an occasional raven call overhead, and falling larch needles that sound like the lightest, gentlest rain. Trees exhaling into the last of autumn’s sunlight.

And I saw something that for the first time in my hunting years made me wish I had someone next to me to share with, just for a few moments: a squirrel digging up a mushroom and running across the forest floor to take it up a tree. A squirshroom in action! (For anyone new here or who missed that post, an explanation of squirshrooms is in the post about my Master Naturalist course.) I’d never heard about squirrels’ mushroom habits until a couple months ago and suddenly they’re everywhere.

Hunting season usually caps off my frantic finishing-of-garden-tasks with a break of snowfall in between. It hasn’t been snowing enough here—when locals complain about the snow, my reminder is that without it we don’t have rivers, or water to drink, and it’s not all about our human comfort or desires anyway—and I’m behind in my gardening tasks. We finally got the carrots stored away, and I’m about finished with the potatoes that my spouse dug up. I hope to have more luck with them this year after losing most of last year’s potatoes to winter’s deep freeze-thaw cycle.

A kind person in town—a subscriber here!—let a friend and me pick as many apples as we could manage from her trees, and I spent many hours peeling and coring and slicing, with my dad’s help before he went back to Russia, and now have many servings of dried apple stored away for when winter starts to get serious—same for peaches, skinned and pitted and sitting in the freezer next to the huckleberries, which I made a concerted effort to pick far more of this year, along with a few grouse whortleberries, all of which I’m trying not to break out too early. And the jars of chokecherry jelly, which are a complete pain to achieve because there’s no easy shortcut to processing chokecherries, but which, come January, will evoke summer with more heady mustiness and memories than even the most perfect peach.

All of these things, the hunting included, take time, patience, community efforts, intact ecosystems, clean water, attention, and care. They also take human lives free of violence, oppression, and inequality. They take a kind of unquantifiable abundance and richness that can only be destroyed, never replaced, by aisles of cereal boxes and flavored yogurt and sliced lunch meats and all that is required to create and maintain the systems that make those full, empty grocery store shelves possible.

The gravity of a labyrinth

Walking composition

I’ve got a new interview about the physical and social importance of walking on philosopher and former professional baseball player Greg Hickey’s site KineSophy: The Ethics of Human Movement. It gets back into some of the fundamentals of why I think walking and walkability matter more than most people think they do, how walking makes us human, and why I wrote A Walking Life“Show me a world where we truly have the choice to walk or drive—and by walk I mean walk safely and pleasantly, not having to cross dangerous highways or busy intersections or constantly breathe in automobile exhaust—and you’ll show me a world where we have some freedom of choice about our mobility.”

In addition to the audio version of this essay below, I’m working on recording the Introduction to No Trespassing. I wanted to do it at one of my favorite creeks, but it’s a bit of a drive to get there and back. Speaking of No Trespassing, next chapter of the book is taking a long time, partly because I’m working on another big essay for a publication that intersects with the subject and want to make sure that they cover different territory, so to speak. Thank you for being here—your support helps with all of that!

Audio version, recorded at a public beach on the lake my town is built around, along with ambient noise and my random commentary.

Until a few days ago, I’d only walked a labyrinth once in my life, in 2017, while working on A Walking Life. I’d been on the Norfolk coast in England to visit a sea-pounded shore where fossilized hominin footprints between 800,000 and 900,000 years old had been found. The last chapter of the book is about those footprints and that journey, including the long, absurd saga of trying to reach the coast by train and bus; it’s also about my unintended stumbling across a labyrinth laid out in the courtyard of Norwich Cathedral, and what happened after I decided to walk it. That was the first, and until recently the last, time I’ve met myself in a labyrinth.

On a recent afternoon, “people-d out,” as I said to an old acquaintance, I bailed on the final hours of a conference to venture out to a distant labyrinth someone told me about last year. It’s open to the public but built on private property. Driving toward the house from the highway reminded me of coming in toward the Rocky Mountain Front from central Montana: bending along rural roads up into the hills, snow-dusted mountains in the distance; passing, strangely, a yard full of bright blue peacocks pecking away in the grass.


There’s a reason the shape of a labyrinth is ancient beyond imagination, and a reason they’re found all over the world. I don’t really want to give the reason a name, mostly because I don’t have one, but I felt it that first time, walking one outside the nearly 1000-year-old cathedral in Norwich, the town where the farmer Robert Kett was executed in 1549 for leading the Norfolk Rebellion, one of England’s most violent, desperate mass revolts against enclosures of the commons. The sign erected in Kett’s honor 400 years later has inspired much of my writing about the commons and private property, but at the time I was still immersed completely in walking, and writing about walking.

I’d spent a while in the cathedral, thinking about the generations of footsteps that had worn the stones now smooth under my own, before wandering outside and coming across the labyrinth. Encountering it was a lesson to me in the limits of learning via books rather than experience, as I wrote later (I’ll caveat the “less spiritual than she is religious” phrasing here with reference to an essay I wrote last winter about questioning my self-described atheism):

“Although I’d read as much as I could about labyrinths, including Reverend Lauren Artress’s Walking a Sacred Path, I had never actually seen one. And I hadn’t, to be honest, been all that interested. As a person who is less spiritual even than she is religious, if that’s possible, I tend to be skeptical of any spiritual or religious practice that claims to put us in touch with the divine, much less with ourselves. Walking a labyrinth, I thought, might contribute to my research but wouldn’t actually do anything.

I believed that, that is, until I walked one.

There weren’t many people at Norwich Cathedral that day. I joined four or five milling about the labyrinth, but instead of walking straight into it, I felt compelled, and I still have no idea why, to circumambulate the outside first. While walking, I began to form a question, one drawn from a personal existential struggle I’d been caught up in over the previous year or two.

I wasn’t prepared for what happened when I entered the labyrinth. I carried my question in with me, and as I began walking responses came—not direct answers, just thoughts—pulled from somewhere deep inside, a psychological place that I have only looked into at certain points in my life when all other answers have failed. A place of the heart but also of the soul. And as these responses rose up to meet my conscious mind, my feet slowed down of their own accord. I didn’t choose to slow down, not in the way we usually understand choosing—my feet dragged, as if being drawn down by the ground, as if responding directly to the gravitational pull involved in each footfall. I became acutely aware of how each lift of the foot and step forward related to the grass and dirt and rocky crust and molten core beneath.

I tried walking faster, as an experiment, but each time was pulled back, so I let my feet take the lead and examined the responses of darkness and light that came up to meet me.”

It was eerie to be walking through a labyrinth more recently and find that similar responses pulled on my spine, feet, and thoughts, as if I were stepping back onto a path I’d been on only moments before, though it was almost exactly six years to the day since my feet last wandered a labyrinth. 


This time, too, I first walked around the outside of the labyrinth before entering, once clockwise and once counterclockwise, forming an existential struggle into the shape of a question, or as close to a question as I could get. 

Maybe we all have the same questions in different shapes and words: How do I untangle this knotty mess of a human, knotty mess of humanity? What good can I do, can my work do, amidst the violence and pain inflicted by those with the most power? My question wasn’t exactly that, but it intersected with those, wrapped also amidst some personal problems—it all feels connected. I suppose it always is.

I was the only person there for a while until a trio of much younger people showed up to run across the circle and take selfies. “You’re messing it up,” one of them said to another as they crossed through the pattern. “You’re doing it wrong.” There probably is no wrong way to walk a labyrinth, I thought, trying to keep my attention instead on that same energy I’d felt once before, slowing my footsteps so much that for one long stretch I was barely walking forward at all. 

My feet pulled back and were eventually moving so slowly I could barely comprehend it, much less want to control it. I stopped and took off my shoes and socks, letting the snow-chilled mulch and fallen leaves bind my feet to whatever it is that comes to life in these winding paths. I tried to ignore the awareness of how weird I must look to the trio of twenty-somethings, moving with aching slowness and barefoot. If you think about it for a moment, which I wasn’t able to do until drafting this essay, the whole concept of taking selfies to post online is weirder than walking barefoot.

That first time in the Norwich labyrinth, I hadn’t gone barefoot, but the experience was still similar.

“This part of who I am as a person, a human, knows that this connection to the ground is real. It feels the thin places of the world, the shiver of being closer to some kind of otherness. . . .

I took a long time to walk into and out of the labyrinth. People passed me going each direction. I stepped around a woman crouched on the ground taking photos, and two kids leapt from stone to stone around me, and still I walked, stuck with my questions and responses and the pace my feet insisted on. When I finally exited, it was with an eerie feeling of having been knitted back together, not just within myself, but with far more than I could fathom.”

I’d entered this recent labyrinth a little late in the day, leaving me not much more than an hour to walk it. I used up most of that time winding my way in and reached the center about fifteen minutes before the place’s posted closing time. As I put my shoes back on over cold-numbed feet, I felt saddened at the thought of rushing out, resenting the idea of having to be efficient with time dedicated to existential quandaries and presence.

The unraveling of problems, selves, the world, and humanity need more time than this. All of our time. As I walked out, I tried to maintain the connection I’d found on the way in, the aliveness that came from the ground through the feet and up the spine, and unnameable «whatever it is» that gave me some kind of guidance as I walked more and more slowly through the turns and curves of a space shaped to unwind the self.

“Hi there!” called a voice, startling me as the sun disappeared behind the mountains.

“Hi.” 

“We close in five minutes,” the woman said, sounding a little impatient. I tried, only partly successfully, to ditch disappointment and hang on instead to what I’d found. To the small reassurances that showed a way forward, an opening, some kind of way to be in this human-ravaged world. To see if the walk outward could help shape a way for the raveling I know we all need. 

A few days later I was listening to an interview with the Sakha singer Suor, or Snow Raven*, and was reminded of the labyrinth and that craving for more time, for all the time in the world, as she described her childhood in Arctic Siberia and the quality of silence that allowed her to learn how to mimic the animals of her home. We all need that, I thought again. The time, the silence, the simplest, most denied freedom to be our most present in the world, for the world.

It’s really what that last chapter of A Walking Life is about, the ways in which we carry the world and ourselves, and especially griefs larger than anyone should ever have to bear, one slow step at a time.

I had to accept the uncertainty and answer the property owner, hoping she would leave me alone for those last few minutes. Leave me to gather together whatever wholeness I’d been given, long enough for me to keep in touch with it a little longer, to have something articulate or tangible to bring out into the world that exists beyond the thin places.

“Thank you,” I said, waving at her. “I’m on my way out.”

* This YouTube channel looks like the kind that would try to persuade you that alien lightworkers walk among us in a hot minute—apologies if I’m misaligning them—but Snow Raven came across as someone with generosity of heart and spirit. Listening to her demonstrate animal language, teach the interviewer how a true yodel is created, and especially hearing her sing a traditional Sakha song about an hour in, is lovely.

Walking, sweetgrass, and tending to attention

Walking composition

Audio: I’ve had a few conversations recently with friends who are having trouble reading. Even I’ve found myself reading far fewer books this year. Maybe it’s burnout, maybe it’s the internet, maybe it’s Covid. I have no idea. But I’m trying something I’ve been wanting to include for a while here, which is reading these essays aloud for anyone who’d rather listen than read. I can’t promise to do it every time, but I’m going to try.

Thank you for being here! It makes a difference. Paid support has recently helped make possible a research trip that covered hundreds of miles and many hours in the genealogy and local history sections of a small-town library, and disconcerting time with a haunted doll. The research is making it into No Trespassing and a separate big essay project on private property; the haunted doll I hope won’t (I did put a picture of her in the Chat).


Earlier this week I was walking my nieces over to my house when it was still dark. We got shoes and coats on and checked to make sure their lunch bags were in their backpacks, even though I’d watched their dad pack everything before he left for work. We locked their house and I paused to breathe in the cool early-morning air that I can never get enough of, and glanced up at the sky. It had been overcast for days but that morning was dark-bright clear, the stars speaking of both distant galaxies and ancient cosmology stories. 

“Look!” I said, pointing up, “there’s Venus!” They were so excited as I told them how that bright star-point was actually a planet hovering high in the southeast. Then we found Jupiter, almost as bright and a little lower in the west. 

It’s one of the things I’m most grateful for about where I live, that we can still see the stars. The light pollution continues to grow, and it’s nothing like being at a cabin or camping, but when I take my first step outside between four and five in the morning, I can, if it’s not cloudy and there’s no moonlight and I let my eyes adjust for long enough, trace out the path of the Milky Way, and am often rewarded for patience with a shooting star, which never fails to feel magical.

Last night as I went to bed, Moon was out low in the southwest, looking almost like a Harvest Moon, all big and golden and bright even though She’s only in Her waxing crescent phase, not even a quarter full. I wonder what it feels like to Her, when She’s only partially sunlit but all of that side is still washed in a golden glow. Does She feel Her own beauty? Does She ever wonder how many of us are taking the time to let our eyes linger on Her light? 

In the evenings, my younger kid and I often go outside if Moon happens to be visible before I go to bed, and we watch Her together. They took immediately to the Anishinaabe teaching of Moon is Grandmother, and together we speak of Her that way. Maybe I’ll ask them, or my nieces, who see the brightness of Venus with such fresh, starstruck eyes, what Moon might be thinking. 

It delights me to no end to see how easily children’s attention is directed to the world they instinctively love. We all start out that way, loving the world and attending to it.


This last June, I received a gift from one of my neighbors: a small handful of sweetgrass starts. I’ve been interested in growing sweetgrass ever since moving here and being told by a mutual friend all about this neighbor and his relationship with ceremonial sweetgrass.

He can be a hard person to catch, but last winter I ran into him plowing his driveway while I was walking the dog. After we’d chatted a bit about the winter’s extreme weather fluctuations that saw days of -40°F winds and frozen snow followed by days of rain, I told him that I’d really love to learn how to grow sweetgrass if he’d be willing to teach me. 

When I walked down to his place in June and said I was still interested, he introduced me to the sweetgrass bed in his yard. We talked about how to tell the difference between sweetgrass and quack grass—not easy but a necessity because quack grass grows everywhere here—and he showed me how to harvest and dry the grasses. Then he gently pulled a few roots out of the ground so I could start a patch in my garden.

“Sweetgrass is friendly,” he told me, “but likes respect. And it likes to be alone,” as in, not mixed in with a bunch of other plants.

I can relate to all of that, I thought.

I planted her in a bed she could have all on her own. Almost every morning since then, I’ve gone out and talked with her at least briefly, unless I’m away, one of the small stitches of early-morning ritual that includes looking at the stars and Moon and then writing by candlelight before getting people up for school, which I use to connect with the world and also keep myself from unraveling. 

Since my neighbor gifted me those plants, I’ve thought a lot about the kind of respect they like, about respect in general, respect and recognition and what we give attention to: people, beings, things. How we attend to this world. It brought me back to why I wrote A Walking Life and why I’ve devoted so much of my time and energy to living it.

Last week I was in Great Falls, Montana, as part of a research trip that also took me through Lewistown and Raynesford, and included a side jaunt to Stanford to see if the Judith Basin County Museum does indeed have over 2000 salt and pepper shaker sets. (It does. People are weird.) 

Identity & Belonging in Science Fiction and Fantasy

Threadable reading circle list

Short stories we read for the Threadable* reading circle on the commons, identity, and belonging in science fiction and fantasy (links are only given when the story is available online):

  1. Welcome to Your Authentic Indian Experience,” by Rebecca Roanhorse

  2. Folding Beijing” and accompanying essay “I Want to Write a History of Inequality,” by Hao Jingfang

  3. “Bloodchild,” by Octavia Butler in her short story collection Bloodchild

  4. The Book of Phoenix,” by Nnedi Okorafor

  5. “Cloud Dragon Skies,” by N.K. Jemisin in her short story collection How Long ‘Til Black Future Month?

  6. “The Heart of the Museum,” by Tang Fei, in the anthology Sinopticon: A Celebration of Chinese Science Fiction

  7. “Robert Greenman and the Mermaid,” by Anjali Sachdeva in her short story collection All the Names They Used for God

  8. “The Red Thread,” by Sofia Samatar in her short story collection Tender

  9. “How to Survive the Apocalypse for Native Girls,” by Kai Minosh Pyle, in the anthology Love After the End: An Anthology of Two-Spirit and Indigiqueer Speculative Fiction

*Threadable is a social reading platform where people can read and comment on books and stories together. This is a continuation of a previous reading circle I led for Threadable on the topic of land ownership.

Science should get muddy (and sniff some mountain lion pee)

Walking composition

My Threadable reading circle of identity and belonging in science fiction and fantasy short stories is wrapping up, capped by my two favorite stories among selections: Sofia Samatar’s “The Red Thread” in her collection Tender, and Kai Minosh Pyle’s “How to Survive the Apocalypse for Native Girls” in the anthology Love After the End: An Anthology of Two-Spirit and Indigiqueer Speculative Fiction. (I’ll post a full list of the stories in the Research & Resources section.)

Samatar was recommended to me by Stefanie, a subscriber here, and I had so much fun reading the short story collection Tender that I ordered her novel A Stranger in Olondria. “The Red Thread” is a spare story set in a future that might or might not be post-apocalyptic but definitely isn’t the world we live in. It hints at a clash between those devoted to a borderless, mobile world, and those who fight for something more fixed—neither, though, clear about who gets to belong where. “Belonging, Fox. It hurts,” wrote the main character to her lost friend. Samatar is one of the best fiction writers I’ve been introduced to in a very long time. Thanks, Stefanie!

I can honestly say that I’d read a full book by any one of the writers in Love After the End, they were all so good. And they break the genre out of its decades-old stifled mold. “These stories include a relationship with the land that isn’t common in science fiction stories,” one reviewer wrote of the anthology. “They assume a greater responsibility for protecting the Earth than I’m used to from a dystopia.”

I chose Pyle’s “How to Survive the Apocalypse for Native Girls” because of the difficult—to me—way they write about kinship and acceptance. “You always gotta ask yourself,” said one character, “who is being excluded here?” If we could make our worlds, our communities, from scratch, what would we choose to guide us, and how? This story was a little gutting for me, and compelling, and I would love to find some interviews with the author about it because it poses some very difficult questions. In the meantime, I’ll be reading more of their work.

5% of last quarter’s On the Commons revenue was given to the People’s Food Sovereignty Program. This quarter’s 5% will be given to Messengers for Health.


I went away to a Forest Service cabin earlier this week and caught up on a lot of offline work and also a lot of offline-self. Usually when I do this, the work gets many hours of determined focus. It still did, but I also spent probably two hours a day, maybe more, just sitting by the river. That’s it. Sitting. Listening. Or hearing maybe. Listening indicates more intention than I want to imply. Every time I thought, “I should go back to the cabin and get some work done,” the river’s flow and ripple answered: “But why?” I watched a dipper play and eat at the edge of a sheltered pool near the shore for a whole hour. I took a video of him but he made me laugh so much I couldn’t hold my phone still.

There were some mice at the cabin. At least, I used to think they were mice. Every time I’ve stayed there, they started racing around the ceiling over the bed after it got dark. But this time I had left my tea strainer on top of the cooler out on the porch—so as not to attract any mice inside, though I should have known better than to leave any food attractants outside—and when I went out in the morning the strainer was gone. Packrat, I thought. Probably. I’ve never seen mice droppings inside this particular cabin, and the droppings outside are larger than regular mice would leave. And I’ve never known a mouse to steal a tea strainer.

I moved the cooler further away and used coffee filters for my tea, and that night listened to the animal scurry around the ceiling and through the walls when I went to sleep. I got up later to watch Moon make Her way across the mostly overcast midnight sky, and the next day went back and soaked in the river again, both physically and metaphorically, letting the rippling water run through my mind and wash out all the detritus that’s been piling up, refreshing some old channels and carving out new ones.

I wondered what you’d find besides my tea strainer if you scouted out the packrat, how many shiny little moments of people’s lives are holed up somewhere. If they, too, sat by the river and left less tangible shiny moments behind.


The Master Naturalist course I’ve been taking finished the week before I went to the cabin. It was more intensive than I was prepared for, but packed with interesting information, and more importantly, provided a way to do exactly what I’d taken it for: to better get to know this land and all the beings I live among. We learned birds, tracking, macroinvertebrates (I’ve written about them before, but I do love caddisflies so much, one of my favorite creatures, and I got to see many of them), and plants. We talked about the Swan Valley’s ecology and long history of human relationship, and the difficult task of widening the window of tolerance for people living among realities like grizzly bears and long winters.

And I learned that squirrels dig up mushrooms and then place them on tree branches to dry for later consumption. I decided to call them squirshrooms. Squirrel mushrooms! Come on, isn’t that the coolest thing you’ve ever heard?

On loss, and those who gift us with belonging

Walking composition

I’ve been fully immersed in a Master Naturalist course (through Swan Valley Connections—thanks to the inimitable Chris La Tray for talking about how awesome they are; I’m sure he’s written about them at some point), and was planning a post about grizzly tracks, the grapefruit scent of grand firs, caddisflies (among my favorite creatures), and the colonization of science, but on the morning of the third day of the course, I got a message from my father that his cousin Zhenya had died.

It’s been months since I wrote anything here about Russia. I’ve been pretty immersed in Montana both physically and mentally; I also have trouble knowing what to say. Because I have close family there, there are too many things I have to write around. Here in Montana, I can say whatever I want about Putin. They can’t. Many of the things I think and say are illegal there. This is a reality that those of us who’ve only ever known freedom can have trouble grasping, a reality that for various reasons was always part of my upbringing. You learn to live dually, split your mind, develop careful boundaries of trust, and often learn that trust just isn’t possible.

Although much of the English-speaking world has stopped talking about the invasion of Ukraine, anyone who pays the slightest attention to Russia’s current reality and the centuries of history in Eastern Europe* is worried. I’m worried.

But we all, also, live in the ebbs and flows of personal and public concerns, and today I’m setting aside geopolitical worry to honor a personal loss. Zhenya and my father grew up more brothers than cousins. In Russian, the words for “cousin,” dvoyurodnyy brat’ or dvoyurodnyy syestra, contain the words for brother and sister. Partly because of how close my family there is, and partly because of the culture, his daughter Irina and I have always considered each other sisters rather than distant cousins.

Zhenya—Yevgeny Yassin—was a public figure in Russia, an economist with respect and influence. When the Soviet Union collapsed, he was involved in forming a new government and eventually became Minister of Economics. For many years he was the academic supervisor at the Higher School of Economics in Moscow (not pictured above; that’s Moscow State University). He had strong opinions about the promises of the free market and the failures of communism, opinions that took the rise and power of Russian oligarchs to shake. And he was a stalwart advocate of human rights, something his daughter, my sister-cousin, continued: she ran a humanitarian organization in Russia until Putin outlawed it several years ago.

Zhenya was also someone who made me feel more loved and welcomed than almost anyone else in the world. Even though I didn’t meet him or any of the rest of my Russian family until I was fourteen, he made me feel like we’d known each other forever, an integral part of a close-knit family despite the fact that I could barely communicate in the language. He often called me maya malen’kaya mat’, “my little mother,” because he said I looked like his mother. One of my middle names, Evgenia, was given to me in his honor. It’s one of my lasting personal sadnesses that I haven’t been to Russia in over a decade, and lost the chance to see him once more.


When my grandfather in Leningrad died in the late 1980s, my father was still living in exile, unable to return to the Soviet Union after leaving in 1974. I doubt I’ll ever forget that day, the call from my aunt on our party line phone in Polson, starting to understand for maybe the first time what it means to be separated from your family, forever as far as you know. The kinds of fractures it creates. The kinds of bonds it tries to cut. I don’t know if there’s a greater evil humans inflict on one another than forcing families apart. It is something that Russia, like all other places with imperial ambitions, has excelled at throughout its history, particularly when it came to Jewish people, which my family were. My parents’ story has a little more choice in it, but in the end the Soviet authorities still told my father he could leave with my American mother and my older sister, or stay, but if he left it would be forever.

That Zhenya always managed to make me feel like we’d never been separated, never seen our family fractured, is a quality that today stuns me with its loss. To make people feel that welcome in the world as part of your nature is something I wish I could live up to.

My stepmother’s great-aunt, the Russian poet Marina Tsvetaeva, lived for many years in exile and lost her daughters to starvation and the gulag. Like millions, her life in Russia was defined by suffering. And yet what she created in return was poetry, of love and life and a piercing view of the world:

“I am happy living simply:
like a clock, or a calendar.
Worldly pilgrim, thin,
wise—as any creature. To know

the spirit is my beloved. To come to things—swift
as a ray of light, or a look.
To live as I write: spare—the way
God asks me—and friends do not.”

Zhenya didn’t have a simple life, but he, too, cultivated a sharp mind while spreading love and liveliness all around him amidst the realities of the Soviet Union. He is one of the many people who taught me, unintentionally, that what is worthwhile in life is always simple. Maybe a few shots of vodka and debates over politics and economics and literature long into the night. But most of all, that where our true human potential lies is in laughter, hugs, a meal, stories, some good friends, a much-loved family, and mourning the loss of the same. In our connections to one another.


I heard once that who a person is, their fundamental human self, is defined in part by who claims them. Who their people are. Zhenya gifted me that, a profound sense of belonging to people. He will be mourned by many, his public service and accomplishments lauded in newspapers across Europe. But me, I’ll light a candle tonight, and feel the loss of his ready smile, his keen conversation, and how easily he made me feel like I belonged.

The morning that my father’s message about Zhenya came, I drove again the too-long route to the Master Naturalist course, watching sunlight strengthen above a mountain range, rising through cloud cover just thick enough to hide its full brightness but thin enough to spread gold across the sky. A flock of Canada geese winged overhead in the direction of the sun, and as I watched, a few of them somersaulted in the air, wings folded, their flips in that golden light the kind of pure earthly joy that arrives, also, in the smile of someone you love.

*Two good books on that region I read recently were Neal Acherson’s Black Sea and Orlando Figes’s The Story of Russia. I also still recommend Konstantin Kustanovich’s Russian and American Cultures: Two Worlds a World Apart for a closer understanding of Russian worldviews.

Sometimes there's a right answer, sometimes you sit by a creek, and sometimes they're the same thing

Walking (& Sitting) composition

Note: I’ve created one extra section in this newsletter where I’m collecting references and resources on all aspects of ownership, the commons, and commodification. It’s not something I’ll email out, but I’ll add to it regularly and it’s there for your use. Feel free to share, send suggestions, and ask questions.

Important regarding subscriptions: Three real-life friends who are paid subscribers to On the Commons have told me that their payments are showing up as coming from Medium, not Substack, which obviously looks fraudulent. Both Substack and Medium use Stripe for payments. I intermittently contract with Medium, so my account has both platforms on it—the payments are still for Substack, but for some reason are being labeled Medium. I’m trying to resolve this issue with Stripe. It seems like a coding issue, and if it’s affected you, I apologize. Fingers crossed a real human works there, somewhere, and can figure it out.

If they can’t fix the problem, I’m not sure what the best thing to do is. I have Venmo, I guess, and PayPal, and a post office box . . .

Or we could just abolish capitalism. Can’t take that long if we all team up, can it?

When I moved back to my hometown—secondary hometown, I call it, where I graduated high school—almost ten years ago, I was moving back for the community. The pace of parenting expectations on the rural fringes of New York City’s orbit, where our kids were born, was exhausting, and I’d been homesick for Montana for 20 years, since I first left for college. I didn’t feel alive anymore, going through the motions of working and parenting and trying to connect with a place I didn’t understand that also had a hell of a lot of poison ivy and humidity and Lyme disease-bearing ticks. So I came home. It wasn’t as easy or straightforward or quick as that, but it’s one of the things I’m most grateful for, that I got to make that choice.

Every time I go on a hike with a friend or pick huckleberries or drive some unnamed gravel road, there’s this flood of gratitude that’s almost absurd. Like gratitude with a thick buttercream layer of extra gratitude. I get to live here, and walk these mountains. I get to slow-breathe the smell of a trail covered in sun-warmed pine needles, and the sharp scent of those same needles in the spring when winter hasn’t yet let go. I can take my kids places where we watch meteor showers with no discernible light pollution. I worry about mountain lions and my aging knees, and spend November hours when I’m meant to be hunting watching chickadees deep in the woods instead.

High-mountain lakes the same indigo-blue of sky the moment it’s losing the last of the day’s sunlight; hillsides smothered in beargrass and grouse whortleberry—how could I not feel gratitude?

Stand on a mountaintop where the air is silent and a hawk soars overhead and look across to ridges draining into gouged-out tracks; imagine what they’re like as spring thaw sets in. Think about the kind of water-force it takes, over how many years, to scour a mountainside into the form of a pastry blender.

It's only community if everybody has a place

Walking composition

Those who’ve read the introduction to my book No Trespassing will know of the Badger-Two Medicine area in northwest Montana and the 40-year fight to retire oil leases there. Two days ago an announcement came out that the last remaining lease is being retired. This article in my local paper details the purchase agreement over the lease; I hope to hear more while attending the Glacier-Two Medicine Alliance’s annual Gathering in a couple of weeks.

5% of On the Commons revenue this quarter will be given to the People’s Food Sovereignty Program.

I was working on an entirely different essay this week partly about staying at the American Prairie with my sister and her family over Labor Day weekend—which has become an annual ritual for all of us—combined with something that’s been on my mind a lot and that came up in the comments last week, which is the question of, “Who gets to say no?”

But that essay is currently at 4000 words and I could see the prairie section needed to be removed along with other heavy revisions. Plus I linked to the more comprehensive essay I wrote about American Prairie two years ago (then called American Prairie Reserve), and if you’re relatively new here I do recommend reading it. It has much better photos than I took this year, and gets into what I think is one of the least-understood sources of societal tensions: identity. In American Prairie’s case, cowboy and settler identity.

This current essay was exploding at the seams and it was about time to go dig potatoes and pick some cucumbers for dinner anyway and then the Neighborhood Bear Report text thread popped off with news of a black bear and three cubs in the adjacent four-acre nature preserve, which has a lot of apple trees. The Neighborhood Bear Report is always a source of good humor (except for that one time the guy at the end of the road sloppily shot at a bear who was getting into his outdoor chest freezer and ended up just pissing the bear off) and sometimes cute photos, and also prompts my annual season of “Should I really let my kids walk to school?” The answer to which is always yes. We’re all at far greater daily risk from people inattentively driving enormous vehicles around anyway.

So that one will wait for another day. Who gets to say no is integral to colonialism, imperialism, exploitation, and extraction, and is a question that matters enough to explore fully, though in less than 4000 words.

It is related to something that’s been on my mind, which is slightly Montana-specific but I think in the end applies wherever you live: who has a say in shaping community.

A couple of days after I returned from my trail crew in the Bob Marshall Wilderness, my sister and I attended a meeting at city hall scheduled to cover Montana’s new law regarding cities’ required Growth Policy plans, and its limitation of public comment on developments after plans are adopted. It was sobering to listen to—and to see the statistics of median home prices, rents, and incomes from 2007 compared to now—and heartening to see the huge turnout. There is a lot of work to be done and I hope people manage to maintain that level of engagement.

Afterward, I went and pulled up an interview that journalist Kathleen McLaughlin published almost exactly two years ago on rural gentrification and small towns in the American west, with author of Pushed Out Ryanne Pilgeram. That interview has stuck with me and I think of it often, especially after meetings like this one:

“It seems like we aren’t asking what communities want, we’re waiting for developers to come in and tell us. Even when the city (of Dover, Idaho) tried to push back, the developer took them to court. . . .

We need to plan for growth, and for climate change, people who do remote work, people are going to come to Montana and the West. I think we’re at this moment where people can see how fragile the service economy is and we have to build communities where everybody has a place.”

During the Q&A portion of this meeting, one woman took over the microphone to ask if people from outside our city’s zip code would have a say in the Growth Policy and then asked if “we” really want people from “outside” (aka “them”) to have a say in the town’s growth. Thankfully, a woman in the front row responded immediately: I work here, she said. I’d live in town if I could afford to but I can’t.

What does it take to build communities where everybody has a place? It probably starts with one where everybody has a say.


A few weeks ago my father, younger sister, and I were hanging out together and rambled into telling funny stories about houses we used to rent when I was growing up. We lived in Belgrade, Montana, until I was 10, and after that moved around frequently enough that I attended 6 schools in 6 years and my sister says we moved house 13 times (I only kept count of schools, not homes). Each of those rental houses had its own idiosyncrasies, creating its own set of quirky, colorful memories.

One of them was a place outside of Polson, down a little hill—the kind of place where the directions included “turn left at the second potato barn.” Our phone was a party line that always seemed to be occupied, and we hadn’t had a phone much of my life before that (we first got a landline when I was 9), so I’d ride my bike two miles over hilly gravel roads to my nearest friend’s house, where we read Anne of Green Gables and played basketball in her family’s alfalfa field.

My sister and I shared a tiny room with concrete walls. It was almost brutally cold. Probably more so for her since I had a mattress and she slept on a foam mat on the floor.

My father was telling us that the reason the house was so cold was that its only heat was an inefficient wood stove in the main room, and the only type of firewood he could find when we moved there was damp birch, which to put it mildly burns like crap. Not to mean any disrespect to dung fires. I’m sure they’re more effective.

We were laughing about that house and how cold it was, and the tiny one-bedroom apartment we briefly lived in in Chico, California, when we all stopped and I said, “There’s no way we’d be able to afford that place now.”

And we couldn’t. The housing prices where I live—across the county, not just in my currently insanely expensive town—are astronomical. I’m guessing that we probably wouldn’t have ended up homeless. We might have, but my financially stable-enough grandmother often helped us out. Maybe we could have moved into her tiny house in Great Falls, but no way could my family, living on food stamps and the free lunch program as we often did, have afforded rent right now, much less down payment for a mortgage.

Too many people who have the power to make decisions about inequality, poverty, housing, and all the rest of it have never faced caring for children without a roof over their heads, never had to choose between medicine and food, never been subjected to the exquisitely contemptuous social dismissal that comes with being poor, much less without a home—never experienced being a political tool, but never a human being worthy of mutual respect. They’ve never felt the seams of a ragged safety net rip, never known what it’s like to live without that net at all, never tried to survive in the economic cracks of a society. Some of them don’t even believe those cracks exist.


There was an article in The Atlantic a few weeks back profiling some changes in zoning laws and approaches to housing in Montana that—I say this with all possible respect that I once had for The Atlantic and continued respect for the editors I’ve published with there—idiotically claimed something along the lines of “Montana might have solved housing.”

The article featured a number of recently passed laws, some of which are needed (I’m all for density and infill and rethinking what people mean when they say “neighborhood character”), but most of which are simply a wish list from developers and those who profit from real estate transactions. None of these laws will show whether or not they have improved—much less “solved”—our dire housing situation for years to come, nor did The Atlantic bother to interview even one person who’s, say, had to move away permanently due to rent increases, or any unhoused person, or anyone living in an RV or camper in a family member’s yard. The Missoulian had a good critique of the article (though I object to the defamation of chokecherries in the headline):

“Positing that a simple ‘let developers do what they want’ policy will fix Montana’s housing crisis shows the thinkers can’t see over their own castle walls.”

The law under discussion at the Growth Policy meeting was one of those. While it promotes—one hopes—intensive community engagement in development of a growth policy and development vision, it then prohibits any public meeting regarding specific developments once the Growth Policy has been adopted. My understanding is that, if the development fits within a city’s growth policy plan, city staff are required to approve it and no public discussion is allowed.

I can see the argument for this being that it then prevents people from turning out to NIMBY down, say, an affordable housing development. But it also prevents people from being able to object to, say, a low-rent apartment building being torn down by an absentee developer to be turned into “lifestyle condominiums,” which is currently my least-favorite local development followed by the second and completely unnecessary “boutique hotel” being built downtown.

Some people whose opinions I often turn to supported this law, so I’m reserving some judgment. But fundamentally, we will never solve problems of inequality by giving more money to the wealthy, nor will we solve them by blind faith in a free market that expects profit-seeking will eventually persuade developers to build places people can actually afford to live in.

Trickle-down economics hasn’t worked in the 40 years since it was first grafted onto the American psyche, and trickle-down housing isn’t going to fare any better.

My sister asked probably the best question at the meeting, which was whether or not the state would strike out any Growth Policy regulations our city adopted that the state legislature didn’t like, and the answer was that nobody knew. It was a necessary question because the last time my city passed measures to get developers to include a percentage of affordable units in their developments, the state legislature promptly made that measure illegal. Which really means that any city’s Growth Policy plan is only good so far as it can meet with state legislative approval. Given the current legislature’s track record, I’m not loving our odds of “solving” anything. If I’m wrong, I’ll gratefully eat my words.

If you’re in Montana, this law applies to where you live. If you have time and/or energy, I encourage you to start looking into what your own place is doing with its Growth Policy plan.

If you’re not in Montana, well, community engagement still matters. It often doesn’t go anywhere. It’s often frustrating to the point of breaking my own exhausted brain. I understand why people give up. Societal trust has been broken and eroded across the board, and I personally find it rare to meet people at any level of government who are willing to listen rather than just wanting to tell you what they think. Truly listen, not just nod along to show they’re “listening.”

But I’ve also been involved in local civic work for a good few years now, and I know who shows up at these meetings every time, whether it’s the planning board or the board for the dog park. For the most part, it’s people who are willing to deal with the tedium and the finicky details and the sacrifice of time because they’ll benefit. And having attended and participated in these things for years, I can only pass on Pilgeram’s advice that she shared with McLaughlin two years ago:

“For places like Butte or Helena or Hungry Horse, one of those places that’s the next to fall, organize now. Build a group of concerned citizens who do the work of meeting regularly, who have a vision, who show up at city council meetings. So much of this happens in the dark, but it’s important to have a group of people who are willing to be witnesses and are willing to speak up, to essentially pretend to have more power than they have.”

I’ll add to that encouragement to read this op-ed in my local paper by the person who runs the Flathead Warming Center, the low-barrier houselessness shelter I’ve talked up before. She’s one of my personal local heroes and is probably the first person I’d turn to for input on what people actually need:

“We urge the [County] Commissioner to stop grouping everyone who is unsheltered together and labeling this group without any genuine attempts to understand the difficult and complex issues that the homeless community experiences. We implore him to stop implying that those struggling in our community must have a character flaw, only needing to find purpose in one’s life. This is a hurtful narrative that furthers the stigma of mental illness in our community. We invite him to listen to — and learn from — what is actually happening.”

If nothing else, maybe we can all be witnesses in our communities. Failure is possible, but so is success.

There are possibilities for more, if we’re patient and persistent and keep showing up for the places we love while working harder to ensure that everyone’s voices are heard and everyone’s needs are considered. Listen to people who know where the cracks are not because they’ve read an economic theory about them, but because their bones know what it’s like to try to shape a life within them.


Driving home from American Prairie toward the Rocky Mountain Front. Who could ever tire of this sky?