abundance – Antonia Malchik

Hope is the heartwood

October 25, 2025by Antonia Malchik3 Comments

Lower Two Medicine Lake, Blackfeet Nation, Montana, host of the 2025 black/death metal music festival Fire in the Mountains

Some years ago when I still lived I upstate New York, I began working at a sawmill. I had two very small children at the time, and had never intended nor desired to be a full-time stay-at-home mom, not to mention be one and working at the same time (due to the full-time stay-at-home mom reality, most of my work happened in the middle of the night, a capacity I no longer have). But I was doing exactly that, and rapidly dying inside because staying at home with children all day is not, to put it mildly, my calling in life.

One of my kids went to part-time preschool twice a week at a nature museum, which also offered adult classes like beekeeping and wild foraging, both of which I took—out of curiosity but also to stay sane—along with rustic woodworking, an activity I’d never imagined myself doing. I am the kind of person who can’t be trusted with a table saw or even, frankly, a spirit level. The rustic woodworking artist who taught the class introduced me to New York Heartwoods, a micro-mill run by a woman (coincidentally, also from Montana) who’d bought a Wood-Mizer LT40 and specialized in milling wood from downed and diseased trees on public and private land.

Working at the sawmill a couple days a week—interning, really, since I was there to learn and wasn’t being paid—helped keep me from going completely numb, from depression and dissociation from life, and it got me into research on embodied learning, but I was also intrigued by the mill’s mission: the owner only worked with fallen or scavenged trees. The point of the mill was to introduce circularity within the wood milling system, which fit right in with efforts I’d been making toward supporting local food systems and fending off long-term despair over single-use plastics.

We worked with a lot of city Ash trees felled by emerald ash borer, and Cedar that had been cleared from farm fields. I spent one entire day planing Cedar planks for someone who’d rescued them, already milled, from her family’s farm and was making an art installation out of them.

Rescued Cedar planks, before planing down to their gorgeous hearts

Another time we spent most of a cold, snowy day dragging out enormous old beams from a fallen barn, taking them back to the mill to be sawn into boards that would be lightly sanded and used to make shelves.

Reclaiming beams from a fallen barn. That’s me in the blue coat and black hat, sometime right before or after I punctured my leg with a 100-year-old nail and went to get a tetanus shot. Photo credit: New York Heartwoods.

The mill’s shady, forested yard was full of beauties, every one of them cared for, whether already milled and kiln-dried or not. I don’t ever plan on moving away from Montana, whose forests are full of soft-wooded Pine and Fir, Aspen and Spruce, but do sometimes miss working with hardwood.

One day, we were milling reclaimed beams from an old barn for a client. Old barn beams are a pain because they’re often full of nails—long, heavy, rusted nails that are hard to spot. We ruined a few blades as hidden nails made it through and wrecked the metal, and finally gave up. That barn beam went back to its owner, or maybe to a scrap pile, joining the piles of beautiful wood resting around the property, testimony to one woman’s commitment to making sure their lives continued.

It only occurred to me later to wonder why we hadn’t taken the time to look for and remove the nails ahead of time, why we sacrificed several saw blades and in the end the beam itself rather than take the time to remove as many nails as we could find and make the wood workable again. It obviously would have been a waste of time, but then again, the entire endeavor could be classified a waste of time, if all we use for measurement are the standards of capital and efficiency.

A couple months ago I succumbed to the urge to crawl through all the essays and posts in this newsletter, starting from the very first essay in late summer 2020, about Marcus Aurelius and my own cognitive disconnects around the U.S. invasion of Iraq, when my older sister was still in the military.

I ended up deleting almost 200 out of nearly 300 essays and posts. Some were from before Substack launched its Twitter-like Notes platform, and were brief photo + quote + sentence or two “walking compositions,” a practice I’d migrated over from my deleted Instagram. Many posts I thought were pointless, and others need more revision work. The ones I kept, I’m slowly revising and recording audio for, since I only started doing audio versions in late 2023 (I’ve made my way through nearly 20, starting from the beginning).

This was actually a super fun process. I played around with my work, scrawling all over posterboard with Sharpie markers, in a way I haven’t in years.

Many of the posts and essays I deleted, I saved in offline Word documents, collecting them by theme. By far, the largest of these collections is one I’ve labeled “Abundance and Commodification,” with over 40 pages of text. Some of what I’ve rewritten here about my time working at a sawmill are lines scavenged from that document.

Out of all the writing I do on the commons, the complementary topics of abundance and commodification—of food and seeds in particular, but of everything in general, including labor, creativity, and ideas—overwhelms the amount I have written about land ownership, which surprised me because I feel like I never shut up about land ownership, and repeat myself to a tiresome degree.

Something about rereading all of those words and stories, and collecting together the ones that I felt needed more editing, or perhaps shaping into a larger, more cohesive project, reminded me of my faith in storytelling, how deeply I believe in its power, and in the world’s need for it. For more stories, stories with heart and truth, as many as possible from as many different perspectives as possible, especially from voices, people, and places who’ve been heard the least. Every iteration, not for the purpose of telling anyone else how to feel or what to think, but sharing the unique experience of what it is to live one’s own individual life. The joy, the pain, the traumas, the grief, the love, the visions and losses and hope.

I don’t think we can ever have enough ways to help ourselves feel what it’s like to live in someone else’s experience.

Yet it often feels like the world is awash in stories. Good stories, important stories. Stories we need to hear and stories we need to tell. Fantastic fiction that opens up possibilities for imagining different ways of living; investigative reporting that unfolds the truth of the world. I have been floored by the work of brilliant documentary filmmakers, by novelists who are bona fide geniuses, many of them personal friends.

And what changes?

It is very easy for the path opened up by that question to lead to despair. I’ve been there myself more than once—I’m there myself more than once on any given day, and I don’t think it’s solely a genetic half-Russian Jewish fatalism. It’s looking at the world, and humans, as clear-eyed as possible. It’s seeing people I believed in and trusted coopt genuine need and good causes for their own benefit; it’s seeing the hard work of millions crash against the walls of capital and power.

But down that path is also possibility. My father used to say, and still does, that the biggest problem in the world is lack of imagination. He meant a capacity to place ourselves in other people’s lives and experiences, a capacity for empathy. It’s both true and bigger than that.

Every story shared is a chip in the systems and structures that seem unbreakable and insurmountable. Most of the time we don’t see what’s changed until long after the fact. Real life isn’t a Hollywood apocalypse movie with sudden shocks to the system and people screaming for the walls. We’ll never know what cracks it all open. But those stories, that work, looking at life slant and seeing what can change, that’s how the light gets in.

After taking my first rustic woodworking class, I couldn’t get enough of working with the diversity of hardwoods that grow and fall in the U.S.’s northeast. I learned about the different high-end uses of varieties of Maple, and how bad Black Locust smells—there is no other way to say it but that Black Locust smells like ass—but also how useful it is. Black Locust is so hard that it can be used in decking. It’s like cement board.

I learned how bacteria and fungi cause spalting and how beautiful its black lines are lacing through decaying stumps or sawn boards. In midwinter, the mill’s owner sent me on a day-long chainsaw safety course, where, after several hours of learning to care for chainsaws and safety equipment and looking at photos of people who’d had horrifying accidents, I stood in knee-deep snow and cut down a Pin Oak. I decided I never wanted to use a chainsaw again because I am clumsy and it was terrifying.

The entire project of New York Heartwoods was at core anti-capital. It was inefficient, time-consuming, space-consuming. Slow. Laborious.

It was an enormous amount of work simply to find markets for the wood products, much less retrieve the trees and logs and mill and kiln-dry and shape and sand it all. That entire day one employee and I spent planing someone’s recovered stack of Cedar planks? The client probably could have bought something similar from IKEA for far less money than that day’s labor cost. Even though I was working at that sawmill for free, nobody else was.

But that’s the point. The work was slow and laborious. And smelled heavenly. I could eat my winter-cold sandwich on a stump of spalted Sugar Maple and smell the melt-snow damp of coming spring. I could peek into the kiln and its stacks of Ash boards. I could do work, and feel alive while doing it.

What does efficiency in our lives get us? The question sits like an invisible monster in the center of capitalism: if “the economy” isn’t there to serve human and ecological well-being, what is the point?

If working with wood by hand gave me and others pleasure and satisfaction, and gave clients connection to their ecosystem and its cycles, why not engage in that kind of work? And why are we prevented from doing that work simply because it doesn’t provide enough income to feed our families?

It’s the reason I recommend reading Wengrow and Graeber’s book The Dawn of Everything as a balm for despair. Or at least listening to interviews about it, or reading summaries. Whatever works. It’s an enormous book and what’s important is the message behind it: there have been countless ways of forming human societies over the past several thousand years. Just because our current industrialized culture feels like some kind of inevitable endpoint doesn’t mean it’s true. Those endlessly varied histories remind us what might be at the core of true freedom.

It also gives an opening into that question, “What changes?” Well, a lot can change. We never know how, not completely. Working toward change for the better doesn’t guarantee success, nor does it guarantee lack of pushback, but without stories we don’t even know how to imagine something different.

I heard someone recently—one of the tarot readers I follow on YouTube—talk about leaning into fear with curiosity. Despair, too, I suppose. That’s where we can find self-empowerment, and perhaps an entirely different way of perceiving both problems and possibilities.

Like in K-Pop Demon Hunters: perhaps a failure to seal the Golden Honmoon isn’t a failure at all. Maybe it’s a way to discover something more powerful and more honest, with a capacity to connect us all.

Me making a bowl out of discarded Maple and an axle grinder in the workshop of Dan Mack, rustic woodworking artist, where I found something akin to hope, by working with my hands at one of the lowest points of my life.

Nothing in Excess

November 2, 2024by Antonia Malchik2 Comments

I recently spoke with a class at Michigan State University about walking, health, and cultural views of wellness. As happens during most of my talks with college students, at least one came prepared with a question that left me scrambling for an answer.

Undergraduates consistently show up with a broader range of interests than I find elsewhere—when I spoke at Dartmouth earlier this year, I stopped in the middle of our two hours just to comment that I had never spoken with a group that had such persistent interest in bus systems. It gave me hope, I said, because public transit might seem boring to many people but it’s central to finding ourselves in a cleaner, more just, and less extractive world. At the University of Montana a couple years ago, it was one about propaganda and Mikhail Bulgakov’s The Master and Margarita, which I hadn’t read in years.

During this most recent talk, among several excellent questions was one about the architecture of prisons.

Incarceration and abolition matter to me, but, as I told the student, those subjects are well outside my areas of expertise.

The moment I said that, I paused, remembering a study I’d read very early on in my walking research about psychology, mental health, and architecture. I’d wanted to make more use of that study than I did—my editor was, rightfully, constantly reining in my enthusiasm for straying into research that was, at best, adjacent to walking. In the end, that study only informed one sentence.

I couldn’t remember the details of the study, but managed to scrape a memory that it had said something about how the designs of prisons and schools affect people’s self-perception, along with something that has stuck with me from Jane Brox’s book Silence about the design of a near-silent early prison in America.

What does it do to people, I asked the students, to have every aspect of your life controlled as a constant message that you aren’t to be trusted? Which related to the student’s secondary question about neighborhoods—if you live in a neighborhood that doesn’t have sidewalks or parks, or shade or access to green spaces, or is cut through by a 4- or 5- or 6-lane road and there’s no way for kids to walk to school safely—much less if you live in a region under constant oppression and surveillance, ripped from freedom by razor wire and armed patrols—that’s a pretty strong message about whose neighborhoods and lives are valued, whether by your own city officials or a colonizing imperial power.

Extend that to the criminalization of anyone who can’t afford a home at all, and the message about who matters couldn’t be clearer.

When my literary agent and I were first sending around the book proposal for A Walking Life to publishers, I had phone calls with a number of editors. On one of them, with a publisher that leaned more literary, the editor said, “I could see you know your subject, but I didn’t realize you were a policy wonk.”

It wasn’t a compliment.

That editor wanted the book but wanted me to restructure it as a kind of international intellectual and literary stroll, which was the kind of writing about walking I explicitly wrote my book to move away from. I was tired, and still am, of walking literature being by and about people, largely people of great privilege, wandering the world in their heads. Maybe that’s why I’ve been walking barefoot so much in the last year. I want to feel the ground, not just think about it.

His comment stumped me in the moment because I’m not really a policy wonk. What I thought of—a week after our conversation, of course; I’m a slow thinker—is that there is a difference between being into policy, and knowing your subject well enough to be able to talk about it as knowledgably as possible.

That aspect of writing nonfiction is important to me. I over-research nearly everything I write. It’s absurd. But it matters to me because, when someone has taken the time to read my book or one of these essays or shown up for a talk, I want to be able to respect their—your—time and attention in return. I do that by being as thorough as I possibly can for each aspect of a subject that captures my interest.

When editing my recent piece for High Country News, my focus on centuries of violent rebellions against enclosures of the commons in England came after back and forth with the editors about the current-day relevance of enclosures: when nobility and other landowners enclosed what had been commonly shared and carefully managed land, eviction of tenants, often entire villages of people, was usually part of the process. The Highland Clearances in Scotland is one of the best-known mass evictions in Britain’s history, but millions of acres were stolen and hundreds of thousands of people evicted throughout England before landowners turned their full attention to Scotland.

Mass homelessness inevitably followed, and in the wake of enclosure acts, the government pursued criminalization of being without work and/or a place to live: the Vagrancy (or Vagabonds) Act of 1547, for example, in which any “able-bodied” person who was found to be out of work for three days was to be branded with a V and sold into slavery for two years; or the Vagabonds and Beggars Act of 1494, in which “vagabonds, idle and suspected persons” were to be put in stocks for three days and nights and given nothing but bread and water and then evicted from the town.

“Evicted to go where exactly?” is just as relevant today as it was then. The fact that the Vagrancy Act turned out to be impractical to enforce isn’t the point.

The city of Kalispell, Montana, just a few miles from me and where my father and stepmother live, recently stopped short of pulling the operating permit for my region’s only low-barrier houseless shelter after years of complaints by those who seek to criminalize being without a home; while Missoula, Montana, followed in the steps of many municipalities to make it illegal to camp in city limits overnight.

During a discussion on land ownership and enclosure acts last year, one commenter noted on a section about anti-homeless laws in 1500s England—relating them to the U.S.’s current affordable housing crisis—that, “‘Skin in the game’ counts, while skin itself doesn’t.” People’s lives, in other words, matter less than property values. It matters that this was true during centuries of the theft of the commons, because it’s not new. Like most injustices, it takes different forms, but we’re still living with it.

I’ve read more books than I care to count at this point on land theft and the commons alone for this book I keep promising you all. In every one I learn something new, most of which will never make it into narrative. But I know by now that there’s always a chance that some fact or story that I can pull out of my bedraggled brain will be useful to someone someday, and while I don’t think that makes me a policy wonk, it does give me a lot of satisfaction.

But policy knowledge doesn’t hurt, either. Holding knowledge about walking’s gifts and potential along with knowing about the systems, legacy infrastructure, and ongoing policies—like road designs that are mandated (not just suggested) to optimize traffic flow, even at the expense of healthy ecosystems and human lives—helps me, and I hope helps everyone I share it with. It can be easy to see that a road is unsafe for anyone walking, but you can’t change that reality if you don’t know that federal requirements determine its design. We have to know where the barriers are in order to dismantle them.

Similarly for land ownership and private property: knowing the history of enclosure and rebellions, and the lack of any true foundation for, say, exclusive private property rights in land, matters for how we perceive the paradigms and stories we function within.

Changing a paradigm is hard, involving as it does a massive upheaval of perception and possibility, and especially hard if you can’t see it for what it is. The ancient Greek maxim to “know thyself”—inscribed on the Temple of Apollo—applies equally to knowing the structures that shape our world and our expectations of it. If we want life to count more than skin in the game, more than profit, we have to know what we’re fighting.

Also inscribed on the Temple was the maxim “Nothing in excess,” which, when it comes to research, I’m not very good at adhering to. But then, who defines “excess”? I’ve been reading Guy Standing’s Plunder of the Commons, which turns out to have very little information I need, but even if I never write about the Lauderdale Paradox of 1801, in which James Maitland, the eighth earl of Lauderdale, showed how public wealth decreases as private wealth increases, someday it might be exactly the historical link that someone out there needs.

I don’t generally wonder if the research I do is excessive—I assume it is—but it feels like the excesses of nature: the way I can walk around town right now and eat handfuls of serviceberries, or how there are so many ripe raspberries coming out of the garden that three families can’t eat them all, which means I had enough to make a batch of seedless raspberry jam last week.

The research I do is frequently boring, written as it is for academic expectations and requirements, but it is rarely without some kind of gift, some spillover of story or insight or simple information that makes me feel like I’ve been rewarded. It leaves a richness, and like all true gifts, the greatest pleasure is in being able to share it.